
In my color photography class last semester, we were assigned a project to explore the human landscape with our cameras. The purpose of the project was to capture the human influence in any style, as long as it could be visually relative to the traditional landscape photograph.
I decided to approac

h the project from two different angles - one which directly related to the assignment, and another that in a literal and actual sense truly influenced the natural landscape. All of the photographs were taken with my Nikon D90 DX with the 18-105mm f/3.5-5.6G ED AF-S VR lens (it's the kit lens, however, I'm a big fan of the glass in the Nikon lenses). The first four photographs explore the idea given in the class assignment. I truly loved the reversal in the image of the RV, where the landscape is actually printed on the side of the giant gas guzzler.

The second photograph is a picture of an auto body shop located in Minnetonka, Minnesota. The old brick building shown in contrast with what is being left behind is fascinating. The color is so seductive, yet I can't help but feel the building is very dirty on the outside. The third photograph is also in Minnetonka and it used to be a skating rink called Cheap Skate (whatever happened to those...?). The geometric shapes and angles of the building could be calculated with a long tape measure and a compass - it's an example of almost intrinsic design.
Stepping away fro

m the outside for a minute, the fourth photograph touches on an idea brought up in the first few pictures: the idea of patterns in man structure and influence. The organization is a little unnerving, and it feels like I'm looking at a giant forest of trees all lined up in rows from above. The fifth photograph illustrates the "biological footprint" if you will, of man altering the environment for decorative purposes. It couldn't be more simple, yet it's so destructive.

The last four photographs explore the idea of man removing nature and placing it within a man-made environment while still trying to achieve a natural order and landscape. What better place to photograph that than in a grocery store? I love how the shelves are arranged to find things easily, yet it seems like the consumer is walking through a row of dirt with the seeds and plants sprouting around them. When I look at the picture of the nuts in containers, I really feel like I'm through a field of beige wheat.
The sixth phot

ograph keeps my eye trained to the bright colors of the peppers, but the idea of vegetables being removed from the ground and placed in a controlled environment which is watered on the hour every hour is so fascinating to me. It's the same thing for the seventh photograph of the nuts. Perhaps it really only is design, but it's not accidental.

The final photograph reminds me of trees - man altering nature so that one essence of nature becomes another. Paul Shambroom, the instructor for my color photography class seemed pleased with my work. If you haven't seen his work, you should check him out at his
website. I'm a big fan of his "Meetings" project (which is a beautiful photo book as well), and his photography in "Nuclear Weapons" is eye-opening.
Critique in my Senio

r Advertising class went well today. My group partner Michael Simon and I have been collaborating on ideas for
The One Club competition this year. We presented the thirty possible ad campaign ideas and our teacher Kathy Umland loved what we had to share and is excited to see more from us next week.
I'm happy all of my classes this semester can be easily managed and relate well to each other. On tonight's agenda: trivia at Tuttle's at nine thirty.